Presence in Absence: Eloise Ghioni in conversation with Sigrid Sandström

Eloise Ghioni: In one of your texts “De involverade” from 2012, you define painting as a ‘time capsule’, assigning the physical object a transcendental meaning, where semiotically it represents a stargate for a refined and analytical mental process. Through your work I can perceive the profoundness of an infinite world, especially a philosophical and conceptual…

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